May 23, 2013

Post-production Update

The Screeners!

I had to turn on the thermostat in my bathroom this morning; the weather is turing, and before long it’ll be festival season! After a wild summer of planning, shooting, and editing, I’ve had to turn my attention to my day job: making kids read good. As such, my activities with SYNC have slowed down. But, some major milestones in SYNC’s lifecycle have been achieved:

1. I screened the final cut of SYNC to cast, crew, and local IndieGoGo supporters last month.

2. DVD screeners have been flying out of my office to film festivals.

The screening was an incredible experience. I’ve gone over the footage on my computer a hundred times; seeing it projected on a theater screen, with rocking sound, took the experience to a new level. It was very satisfying to see an audience enjoy SYNC, and I couldn’t be happier with the finished film. My karaoke performance, not so much.

As of this writing I’ve submitted SYNC to twenty festivals, including the big S, and the first round of notifications should be rolling in soon. Hopefully I’ll know where the world premiere will be by early December. As you might imagine I’ve been a little anxious. To distract myself I’ve started writing my next script, and my goal is to have it a draft by the end of the year.

As soon as word comes in I’ll write an update. I’m also working on a post about my learnings as a first time filmmaker, and using the digital world to make a film. In the meantime, check out these fun articles featuring SYNC:

Lucas McNelly worked on SYNC as part of his project, A Year Without Rent. He wrote about his experience, and you can read the article (for Film Threat!) here.

The Woodinville Weekly, a local paper where I live, approached me about featuring SYNC’s production. I grew up reading this paper, so being featured inside feels pretty cool. The Article.

From the summer heat of production, to the chilling cold of Autumn, the past few months have been amazing, and I can’t wait to share what happens next!

Analog or Digital: Which one are you?

A v D

In a few days I’ll be launching an IndieGoGo campaign to raise money for SYNC’s production, and I have put together this short piece as a companion to SYNC’s story. Jenny Porter is the lovely actress gracing the screen, and music is provided by Seattle’s Kung Foo Grip. Watch the clip, then make your choice: are you analog or digital?

Pre-production heats up!

Grandpa

A few weeks ago I shot a short, prologue film, for one of the characters in SYNC–which was a blast. The piece will premiere on this site, and be included in the crowd funding campaign I will be launching in the very near future. SYNC is cast, and key crew members are on board. I’m excited to be working with some very talented people, and I will share more about them soon.

Music is a pivotal element to the story, and I cannot be more excited to have incredible musical collaborators. Seattle hip hop group, Kung Foo Grip, is contributing a killer song. In addition, Patrick Moraz (keyboardist/pianist/composer), an incredibly talented and accomplished solo musician–and former member of YES and the Moody Blues–has written new material for SYNC. I will have individual pages for Patrick Moraz, and Kung Foo Grip posted very soon!

Production is set for mid-July, the talent is in place, and fundraising kicks off soon–the party’s just getting started. Stay tuned!


Jenny Porter

Roy Ketterer

Top five (ok, ten) music themed movies. . .GO!

mixtape2

The mix-tape: shuffle before there was shuffle, a playlist that wasn’t created by a virtual “genius” (I’m talking to you iTunes). The songs on a mix-tape were selected by you, for a specific purpose, and it took time to make a mix-tape–remember copying songs in realtime? It could take hours to put together the proper mix-tape. It was the care involved, however, that made a mix-tape special. Like handwriting a letter, mix-tapes were personal, and often served as letters–often love letters. Why would you make a mix-tape for your crush? To connect with them…share what you love with them, and show them  that you know what they love. Music has that unique power: to say what we may not be able to verbalize. Countless movies have had music as a theme, or been about musicians, illustrating how important, and impactful, music can be. I would like to share my ten favorite movies about music. This list is comprised of films that either capture the uniqueness of a particular musician’s story, or demonstrate the effect music has on the characters.

10. Walk the Line - “Tell me you don’t love me.”

Why is it badboy guitar players always get the girl? Because their damn cool. And nobody was cooler than Johnny Cash. Joaquin Phoenix’s portrayal of the Man in Black captured everything that was great–and not so great–about Johnny, and James Mangold’s direction elevated the biopic a notch or two (LaBamba, not so much).

9. The Blues Brothers “We’re on a mission from God.”

Great cast. Great songs. Great director.

8. Rock Star - “What’s wrong with Air Supply?” “Nothing, if you’re the cop from the Village People.”

What can I say? I love the 80′s and I love Hair Metal. Who wouldn’t want to fill in for the singer of their favorite band?

7. Johnny Suede - “Some people call me a teenage idol.”

Tom Dicillo’s directorial debut featured a young, pompadoured Brad Pitt with machinations of being Ricky Nelson. It’s quirky, definitely indie, and hey…you can’t go wrong with Catherine Keener.

6. 8 Mile - “You wanna know my motto?: Fuck Lotto! I’ll get the seven digits from your mother for a dollar tomorrow.”

I don’t know which was more of a surprise: Curtis Hanson directing the film, or Eminem acting–well. Playing himself, essentially, Marshall Mathers’ performance as a struggling white kid from the wrong side of the tracks was convincing, and the story was compelling. Great music to boot.

5. The Doors - “I was stoned. It seemed like a fun thing to do at the time.”

Remember when Val Kilmer was a good actor, and Oliver Stone wasn’t just trying to prove a point? While it may not be completely accurate, Stone’s use of surreal imagery, and the Doors’ music, make for a stunning visual film that reflects the energy of JIm Morrison.

4. Immortal Beloved - “My angel, my all, my very self.”

If Beethoven were alive today he’d be in a metal band, and that’s why I love him. Gary Oldman’s performance, and the epic finale show how bad-ass LVB was, and yet, like every bad boy he had his soft side. I’ll go ahead and call Moonlight Sonata the first power ballad in history. (skip to about 1:10)

3. Almost Famous - “You are home.”

Cameron Crowe crafted a funny, touching, and thoroughly entertaining portrait of a young man’s journey into adulthood, and what it means to be a fan of music. Kate Hudson lit up every scene as Penny Lane, the ultimate groupie. I was tempted to put Singles, another Crowe classic, on the list; Almost Famous is just a little better, and more of a music film.

2. This is Spinal Tap – “It’s a trilogy, in D Minor, which I find is the saddest of keys.”

Meathead makes a classic. Spinal Tap managed to satirize rock bands and the documentary, and in doing so elevated the mockumentary style. Everything from The Office, to Man Bites Dog, to Borat owes a debt of gratitude to Rob Reiner and company for poking fun at the hilariously over-the-top life of rock stars: Stonehenge, amps that go to eleven, Lick My Love Pump…I could go on.

1. High Fidelity – “Do we look like the kind of store that sells I Just Called to Say I Love You? Go to the mall.”

*Inhale* John Cusack, the quintessential everyman (sorry Tom Hanks), has a falling out with his girlfirend and goes on a quest to figure out what has gone wrong in previous relationships and at the same time runs a record store where he belittles moronic customers and makes top five lists…and the perfect mix tape. *exhale* This movie conveys what we all  love about music: it can be a topic of discussion; it can be something you have in common with other people; it can comfort you; it can pump you up; it can help you say what you can’t verbalize (e.g. the perfect mix tape).

Agree? Disagree? Please share your comments. Have your own top five list in mind? Let’s hear it!

Kick-Ass Cover Art: Blue Note in the Sixties

Blue-Train

Damn you, thumbnail! With the proliferation of MP3 players and digital downloads, the art of the album cover is quickly fading; reducing the beautiful 12″x12″ vinyl covers to tiny thumbnails on your iPod screen.  One of the things I love about a great album cover is its function as actual art. Placed in a frame, album covers make great decorations–especially beautiful women covers (e.g. Herb Alpert’s Whipped Cream and other Delights). Go into any vintage record store and you’ll find a section devoted to cool covers. Few record labels have produced better covers than Blue Note, particularly in the late fifties, and throughout the sixties. John Contrane’s Blue Train, a quintessential jazz record, was my first taste of America’s music. The cover, of John, tinted in blue and with a pensive gaze, sets the tone for what’s to come: a cool, effortlessly technical musical journey.  Cover after cover from that era displays the same hip, original quality that really expresses the character of the musician. The artwork style is so influential that one designer created a series of Wu Tang replicas in the same vein (to great effect). Thankfully you can still find vinyl LP’s, and modern bands will occasionally release their material on 12″, giving the fans artwork to savor. So, I thumb my nose at thumbnails, and urge you to do the same! Go to a record store, ASAP, and buy an old album–even if you don’t have a record player. The cover art alone will be worth the trip.

Kraftwerk, my Walkman, and the inspiration for SYNC

sports walkman

One of my fondest childhood memories is playing a wild game of tag, with my sister and father, in the living room of my parent’s tiny apartment. What turned this ordinary game of tag into all all out rumpus was the spooky soundtrack provided by synth pioneers Kraftwerk. During their seminal song, Autobahn, this crazy, Cylon from Battlestar Galactica voice chimes in and chants “Autobahn.” Couple that with the cheap strobe light my dad got from Radio Shack and you’ve got a kick-ass game of tag that would scare the shit out of any seven-year-old–I loved it. What makes that memory resonate is the process involved: taking the record out of the sleeve–being careful not to scratch it, adding the disc washer solution to the soft brush so every bit of dust could be removed before spinning the record (it still popped though), and finally lowering the arm onto the LP and listening for the crackle and hum to whisper out of the speakers–GAME ON.

Fast-forward five years, it’s Christmas, and Santa has just brought me the number one item on my list: a Sony Sports Walkman. The thing was industrial strength, water-resistent (so they said), and had TWO headphone jacks: one for you, and one for your best girl. I played Britney Fox’s “Girlschool” over and over and over. In those days shuffle consisted of taking one tape out, tossing it in the pile, and searching around for License to Ill.

One theme connects these stories for me: the music and the player were objects I could touch and smell. An old vinyl record has a distinct odor, like your grandparent’s house, or Value Village. Tapes, records, even CD’s all have that tactile quality that helps enhance memories. As I write this I remember a time when I tried to record a song off the radio with my boom box, and the quality was terrible, but I got the song–for free! Put that in your LimeWire and smoke it. All of this leads me to why I wrote Sync. I wanted to capture the feeling of connecting, physically, with people and music…the feeling you just can’t get with an MP3 player. Don’t get me wrong, I love my iPhone, three ipods, and mac with itunes; I can take my music, all of it, anywhere. But when I really want to savor music I throw on a record and drift back to my parent’s living room. “Wir fahr’n fahr’n fahr’n auf der Autobahn.”